The immigration experience causes on me an obsession with oblivion, a necessity to register.

Registro is the search of one's home in a context in which the concept of home itself is archetypically created as something permanent.

Registro is both building and destroying, fearing oblivion and at the same time accepting its destruction.

Registro is a body that is and becomes a register in time and space, a testimony made on a body that becomes a house.


I visit my birthplace, La Paz, and its surroundings for the first time after 15 years away.

On the Santuario de Copacabana I see people praying by drawing their requests to God with wax on the church walls. 

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