The immigration experience causes on me an obsession with oblivion, a necessity to register.

Registro is the search of one's home in a context in which the concept of home itself is misleadingly imagined as something permanent.

Registro is both building and destroying, fearing oblivion and at the same time accepting its destruction.

Registro is a body that is and becomes a register in time and space, a testimony made on a body that becomes a house.

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